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IN FOCUS
DEEP ACADEMIC SHIT
Mar 16, 2023
THE QUIET MAN
Posted by
Mark Ryall
Nov 20, 2017
NEOREALISM, ITALIAN STYLE
Posted by
Mark Ryall
Sep 25, 2017
EARLY SOVIET AND WEIMAR CINEMA
Posted by
Mark Ryall
Jul 6, 2017
INDIANA JONES 4: HATERS GONNA HATE
Posted by
Mark Ryall
Jul 6, 2017
THE PROBLEM WITH 3D CINEMA
Posted by
Mark Ryall
Feb 20, 2016
THE WORLDS OF WES ANDERSON: INTRODUCTION
Posted by
Mark Ryall
Feb 20, 2016
THE WORLDS OF WES ANDERSON: RUSHMORE AND THE DARJEELING LIMITED
Posted by
Mark Ryall
Feb 20, 2016
THE WORLDS OF WES ANDERSON: THE ROYAL TENENBAUMS AND THE LIFE AQUATIC WITH STEVE ZISSOU
Posted by
Mark Ryall
Feb 20, 2016
THE WORLDS OF WES ANDERSON: MOONRISE KINGDOM AND THE GRAND BUDAPEST HOTEL
Posted by
Mark Ryall
Feb 20, 2016
THE WORLDS OF WES ANDERSON: CONCLUSION
Posted by
Mark Ryall
Feb 28, 2015
THE NEW HOLLYWOOD “HERO”
Posted by
Mark Ryall
Jun 13, 2014
THE DEPARTED AND THE BOSTON CRIME DRAMA
Posted by
Mark Ryall
Mar 28, 2014
HITCHCOCK AND THE MACGUFFIN
Posted by
Mark Ryall
Jul 24, 2013
LA NOUVELLE VAGUE
Posted by
Mark Ryall
Jun 20, 2013
THE HETEROGENEITY OF ART CINEMA
Posted by
Mark Ryall
May 30, 2013
HITCHCOCK AND THE UNCONSCIOUS SELF
Posted by
Mark Ryall
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