IRISH ASSIMILATION AND THE QUIET INFLUENCE OF MICHALEEN OGE FLYNN On the surface, it would appear that Barry Fitzgerald’s portrayal of …
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WHATEVER HAPPENED TO MY NARRATIVE RESOLUTION?MICHELANGELO ANTONIONI, L’AVVENTURA, AND THE LEGACY OF ITALIAN NEOREALISM by Mark Ryall When Terence Malick’s The …
PAINTING WITH LIGHT THE UNEASY ALLIANCE OF ART, POLITICS AND ECONOMICS IN EARLY SOVIET AND WEIMAR CINEMA by Mark Ryall It …
HATERS GONNA HATE IN DEFENCE OF INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL Crystal Skull is Spielberg’s unloved, deformed …
2D OR NOT 2D?THAT IS THE QUESTION Not now James, we’re busy The format halves the cinema’s capacity for exhibition of …
TRAUMA, REPETITION AND BLANK CHARACTERISATION IN WES WORLD Throughout a career spanning almost two decades, Wes Anderson has cultivated a reputation …
ABOUT
Welcome to ScreenTime.ie – a proudly independent critical resource for Film and TV. Screentime.ie has been online since 2013.
Between 2018 and 2022, I was the resident film critic for Newstalk’s weekly film and TV show. I have also worked for RTÉ Radio and many other online outlets, and am the author of “Why Bother? Cautionary Tales from the Coalface of Cinema“. Unavailable at all good bookshops.
Thanks for reading.
Mark Ryall
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