← PREVIOUS POSTTHE WORLDS OF WES ANDERSON: INTRODUCTION Leave a Comment Your feedback is valuable for us. Your email will not be published. Click here to cancel reply Save my name, email, and website in this browser for the next time I comment. Notify me of new posts by email.Please wait... Submit Comment Δ RELATED POSTS THE DEPARTED AND THE BOSTON CRIME DRAMAJune 13, 2014-Posted by Mark Ryall HIDING IN PLAIN SIGHT: SCORSESE, THE DEPARTED AND THE ASSIMILATED IRISH-AMERICAN IDENTITY The heterogeneous microclimate of Boston has allowed the ethnic … READ MORE →20 MIN READTHE QUIET MANMarch 16, 2023-Posted by Mark Ryall IRISH ASSIMILATION AND THE QUIET INFLUENCE OF MICHALEEN OGE FLYNN On the surface, it would appear that Barry Fitzgerald’s portrayal of … READ MORE →11 MIN READTHE WORLDS OF WES ANDERSON: THE ROYAL TENENBAUMS AND THE LIFE AQUATIC WITH STEVE ZISSOUFebruary 20, 2016-Posted by Mark Ryall “OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the … READ MORE →22 MIN READ