← PREVIOUS POSTwild Leave a Comment Your feedback is valuable for us. Your email will not be published. Click here to cancel reply Save my name, email, and website in this browser for the next time I comment. Notify me of new posts by email.Please wait... Submit Comment Δ RELATED POSTS THE WORLDS OF WES ANDERSON: CONCLUSIONFebruary 20, 2016-Posted by Mark Ryall The fundamental basis of negative criticism directed at Wes Anderson can be summed up in the maxim, “familiarity breeds contempt.” Or … READ MORE →6 MIN READHITCHCOCK AND THE MACGUFFINMarch 28, 2014-Posted by Mark Ryall WHAT’S A MAGUFFIN AND WHY SHOULD WE CARE? A key reason for the enduring appeal of the work of Alfred Hitchcock … READ MORE →11 MIN READLA NOUVELLE VAGUEJuly 24, 2013-Posted by Mark Ryall “EVERYONE’S A CRITIC”: THE FRENCH NEW WAVE AND THE LEGACY OF THE AUTEUR THEORY Mention of the Nouvelle Vague to the … READ MORE →15 MIN READ