← PREVIOUS POSTWhiplash Review Screentime Approved Leave a Comment Your feedback is valuable for us. Your email will not be published. Click here to cancel reply Save my name, email, and website in this browser for the next time I comment. Notify me of new posts by email.Please wait... Submit Comment Δ RELATED POSTS THE HETEROGENEITY OF ART CINEMAJune 20, 2013-Posted by Mark Ryall “WHEN IN DOUBT, GO FOR MAXIMUM AMBIGUITY”: DAVID BORDWELL AND ART CINEMA When Geoffrey Nowell-Smith (1996) said that “the heterogeneity of … READ MORE →7 MIN READLA NOUVELLE VAGUEJuly 24, 2013-Posted by Mark Ryall “EVERYONE’S A CRITIC”: THE FRENCH NEW WAVE AND THE LEGACY OF THE AUTEUR THEORY Mention of the Nouvelle Vague to the … READ MORE →15 MIN READTHE WORLDS OF WES ANDERSON: INTRODUCTIONFebruary 20, 2016-Posted by Mark Ryall TRAUMA, REPETITION AND BLANK CHARACTERISATION IN WES WORLD Throughout a career spanning almost two decades, Wes Anderson has cultivated a reputation … READ MORE →11 MIN READ