← PREVIOUS POSTvlcsnap-00014 Leave a Comment Your feedback is valuable for us. Your email will not be published. Click here to cancel reply Save my name, email, and website in this browser for the next time I comment. Notify me of new posts by email.Please wait... Submit Comment Δ RELATED POSTS THE HETEROGENEITY OF ART CINEMAJune 20, 2013-Posted by Mark Ryall “WHEN IN DOUBT, GO FOR MAXIMUM AMBIGUITY”: DAVID BORDWELL AND ART CINEMA When Geoffrey Nowell-Smith (1996) said that “the heterogeneity of … READ MORE →7 MIN READNEOREALISM, ITALIAN STYLENovember 20, 2017-Posted by Mark Ryall WHATEVER HAPPENED TO MY NARRATIVE RESOLUTION?MICHELANGELO ANTONIONI, L’AVVENTURA, AND THE LEGACY OF ITALIAN NEOREALISM by Mark Ryall When Terence Malick’s The … READ MORE →19 MIN READHITCHCOCK AND THE UNCONSCIOUS SELFMay 30, 2013-Posted by Mark Ryall The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his … READ MORE →11 MIN READ