Leave a Comment
Your feedback is valuable for us. Your email will not be published.
The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his …
PAINTING WITH LIGHT THE UNEASY ALLIANCE OF ART, POLITICS AND ECONOMICS IN EARLY SOVIET AND WEIMAR CINEMA by Mark Ryall It …
“I ALWAYS WISHED I WAS AN ORPHAN. I THINK YOUR LIVES ARE MORE SPECIAL“: TRAUMA, TIME AND TONE The devoted follower …
