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The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his …
“OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the …
2D OR NOT 2D?THAT IS THE QUESTION Not now James, we’re busy The format halves the cinema’s capacity for exhibition of …
