The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his …
PAINTING WITH LIGHT THE UNEASY ALLIANCE OF ART, POLITICS AND ECONOMICS IN EARLY SOVIET AND WEIMAR CINEMA by Mark Ryall It …
“SO WE BOTH HAVE DEAD PEOPLE IN OUR FAMILIES“: DEAD PARENTS AND PROCESSING GRIEF When we are presented with any form …
