Q. HEY JOHNNY, WHAT’RE YOU REBELLING AGAINST? A. DUNNO REALLY. CONSUMERISM? BIG BUSINESS? OH, AND DADDY NEVER LOVED ME From the …
The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his …
PAINTING WITH LIGHT THE UNEASY ALLIANCE OF ART, POLITICS AND ECONOMICS IN EARLY SOVIET AND WEIMAR CINEMA by Mark Ryall It …
