“WHEN IN DOUBT, GO FOR MAXIMUM AMBIGUITY”: DAVID BORDWELL AND ART CINEMA When Geoffrey Nowell-Smith (1996) said that “the heterogeneity of …
The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his …
WHAT’S A MAGUFFIN AND WHY SHOULD WE CARE? A key reason for the enduring appeal of the work of Alfred Hitchcock …
