← PREVIOUS POSTMILES AHEAD Leave a Comment Your feedback is valuable for us. Your email will not be published. Click here to cancel reply Save my name, email, and website in this browser for the next time I comment. Notify me of new posts by email.Please wait... Submit Comment Δ RELATED POSTS HITCHCOCK AND THE UNCONSCIOUS SELFMay 30, 2013-Posted by Mark Ryall The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his … READ MORE →11 MIN READNEOREALISM, ITALIAN STYLENovember 20, 2017-Posted by Mark Ryall WHATEVER HAPPENED TO MY NARRATIVE RESOLUTION?MICHELANGELO ANTONIONI, L’AVVENTURA, AND THE LEGACY OF ITALIAN NEOREALISM by Mark Ryall When Terence Malick’s The … READ MORE →19 MIN READTHE QUIET MANMarch 16, 2023-Posted by Mark Ryall IRISH ASSIMILATION AND THE QUIET INFLUENCE OF MICHALEEN OGE FLYNN On the surface, it would appear that Barry Fitzgerald’s portrayal of … READ MORE →11 MIN READ