HIDING IN PLAIN SIGHT: SCORSESE, THE DEPARTED AND THE ASSIMILATED IRISH-AMERICAN IDENTITY The heterogeneous microclimate of Boston has allowed the ethnic …
“OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the …
2D OR NOT 2D?THAT IS THE QUESTION Not now James, we’re busy The format halves the cinema’s capacity for exhibition of …
