← PREVIOUS POSTJACK REACHER: NEVER GO BACK RELATED POSTS HITCHCOCK AND THE UNCONSCIOUS SELFMay 30, 2013-Posted by Mark Ryall The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his … READ MORE →11 MIN READLOSSES FOR VERBINSKI’S LONE RANGER MATCH MARKETING BUDGETJuly 11, 2013-Posted by Mark Ryall The Hollywood Reporter is claiming that Gore Verbinski’s The Lone Ranger is shaping up to be the biggest financial black hole … READ MORE →2 MIN READTHE WORLDS OF WES ANDERSON: CONCLUSIONFebruary 20, 2016-Posted by Mark Ryall The fundamental basis of negative criticism directed at Wes Anderson can be summed up in the maxim, “familiarity breeds contempt.” Or … READ MORE →6 MIN READ