“OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the …
The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his …
HATERS GONNA HATE IN DEFENCE OF INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL Crystal Skull is Spielberg’s unloved, deformed …
