WHATEVER HAPPENED TO MY NARRATIVE RESOLUTION?MICHELANGELO ANTONIONI, L’AVVENTURA, AND THE LEGACY OF ITALIAN NEOREALISM by Mark Ryall When Terence Malick’s The …
The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his …
“OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the …
