“OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the …
Q. HEY JOHNNY, WHAT’RE YOU REBELLING AGAINST? A. DUNNO REALLY. CONSUMERISM? BIG BUSINESS? OH, AND DADDY NEVER LOVED ME From the …
“EVERYONE’S A CRITIC”: THE FRENCH NEW WAVE AND THE LEGACY OF THE AUTEUR THEORY Mention of the Nouvelle Vague to the …
