“OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the …
HIDING IN PLAIN SIGHT: SCORSESE, THE DEPARTED AND THE ASSIMILATED IRISH-AMERICAN IDENTITY The heterogeneous microclimate of Boston has allowed the ethnic …
WHAT’S A MAGUFFIN AND WHY SHOULD WE CARE? A key reason for the enduring appeal of the work of Alfred Hitchcock …
