← PREVIOUS POSTELVIS & NIXON Leave a Comment Your feedback is valuable for us. Your email will not be published. Click here to cancel reply Save my name, email, and website in this browser for the next time I comment. Notify me of new posts by email.Please wait... Submit Comment Δ RELATED POSTS LA NOUVELLE VAGUEJuly 24, 2013-Posted by Mark Ryall “EVERYONE’S A CRITIC”: THE FRENCH NEW WAVE AND THE LEGACY OF THE AUTEUR THEORY Mention of the Nouvelle Vague to the … READ MORE →15 MIN READHITCHCOCK AND THE UNCONSCIOUS SELFMay 30, 2013-Posted by Mark Ryall The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his … READ MORE →11 MIN READTHE PROBLEM WITH 3D CINEMAJuly 6, 2017-Posted by Mark Ryall 2D OR NOT 2D?THAT IS THE QUESTION Not now James, we’re busy The format halves the cinema’s capacity for exhibition of … READ MORE →6 MIN READ