2D OR NOT 2D?THAT IS THE QUESTION Not now James, we’re busy The format halves the cinema’s capacity for exhibition of …
“OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the …
WHATEVER HAPPENED TO MY NARRATIVE RESOLUTION?MICHELANGELO ANTONIONI, L’AVVENTURA, AND THE LEGACY OF ITALIAN NEOREALISM by Mark Ryall When Terence Malick’s The …
