“OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the …
The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his …
“WHEN IN DOUBT, GO FOR MAXIMUM AMBIGUITY”: DAVID BORDWELL AND ART CINEMA When Geoffrey Nowell-Smith (1996) said that “the heterogeneity of …
