“WHEN IN DOUBT, GO FOR MAXIMUM AMBIGUITY”: DAVID BORDWELL AND ART CINEMA When Geoffrey Nowell-Smith (1996) said that “the heterogeneity of …
“OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the …
The fundamental basis of negative criticism directed at Wes Anderson can be summed up in the maxim, “familiarity breeds contempt.” Or …
