“OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the …
2D OR NOT 2D?THAT IS THE QUESTION Not now James, we’re busy The format halves the cinema’s capacity for exhibition of …
“WHEN IN DOUBT, GO FOR MAXIMUM AMBIGUITY”: DAVID BORDWELL AND ART CINEMA When Geoffrey Nowell-Smith (1996) said that “the heterogeneity of …
