“EVERYONE’S A CRITIC”: THE FRENCH NEW WAVE AND THE LEGACY OF THE AUTEUR THEORY Mention of the Nouvelle Vague to the …
The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his …
The fundamental basis of negative criticism directed at Wes Anderson can be summed up in the maxim, “familiarity breeds contempt.” Or …
