“OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the …
WHAT’S A MAGUFFIN AND WHY SHOULD WE CARE? A key reason for the enduring appeal of the work of Alfred Hitchcock …
“SO WE BOTH HAVE DEAD PEOPLE IN OUR FAMILIES“: DEAD PARENTS AND PROCESSING GRIEF When we are presented with any form …
