The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his …
https://youtu.be/pR-MTZVppkA
Tuesday’s premiere episode of Luther, series three, contained some jump scares which were so signposted that I was left kicking myself …
PAINTING WITH LIGHT THE UNEASY ALLIANCE OF ART, POLITICS AND ECONOMICS IN EARLY SOVIET AND WEIMAR CINEMA by Mark Ryall It …
