← PREVIOUS POSTFig1 Leave a Comment Your feedback is valuable for us. Your email will not be published. Click here to cancel reply Save my name, email, and website in this browser for the next time I comment. Please wait... Submit Comment Δ RELATED POSTS NEOREALISM, ITALIAN STYLENovember 20, 2017-Posted by Mark Ryall WHATEVER HAPPENED TO MY NARRATIVE RESOLUTION?MICHELANGELO ANTONIONI, L’AVVENTURA, AND THE LEGACY OF ITALIAN NEOREALISM by Mark Ryall When Terence Malick’s The … READ MORE →19 MIN READHITCHCOCK AND THE UNCONSCIOUS SELFMay 30, 2013-Posted by Mark Ryall The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his … READ MORE →11 MIN READTHE WORLDS OF WES ANDERSON: CONCLUSIONFebruary 20, 2016-Posted by Mark Ryall The fundamental basis of negative criticism directed at Wes Anderson can be summed up in the maxim, “familiarity breeds contempt.” Or … READ MORE →6 MIN READ