← PREVIOUS POSTFig1 Leave a Comment Your feedback is valuable for us. Your email will not be published. Click here to cancel reply Save my name, email, and website in this browser for the next time I comment. Notify me of new posts by email.Please wait... Submit Comment Δ RELATED POSTS THE HETEROGENEITY OF ART CINEMAJune 20, 2013-Posted by Mark Ryall “WHEN IN DOUBT, GO FOR MAXIMUM AMBIGUITY”: DAVID BORDWELL AND ART CINEMA When Geoffrey Nowell-Smith (1996) said that “the heterogeneity of … READ MORE →7 MIN READEARLY SOVIET AND WEIMAR CINEMASeptember 25, 2017-Posted by Mark Ryall PAINTING WITH LIGHT THE UNEASY ALLIANCE OF ART, POLITICS AND ECONOMICS IN EARLY SOVIET AND WEIMAR CINEMA by Mark Ryall It … READ MORE →17 MIN READTHE DEPARTED AND THE BOSTON CRIME DRAMAJune 13, 2014-Posted by Mark Ryall HIDING IN PLAIN SIGHT: SCORSESE, THE DEPARTED AND THE ASSIMILATED IRISH-AMERICAN IDENTITY The heterogeneous microclimate of Boston has allowed the ethnic … READ MORE →20 MIN READ