← PREVIOUS POSTFig 4 Leave a Comment Your feedback is valuable for us. Your email will not be published. Click here to cancel reply Save my name, email, and website in this browser for the next time I comment. Notify me of new posts by email.Please wait... Submit Comment Δ RELATED POSTS EARLY SOVIET AND WEIMAR CINEMASeptember 25, 2017-Posted by Mark Ryall PAINTING WITH LIGHT THE UNEASY ALLIANCE OF ART, POLITICS AND ECONOMICS IN EARLY SOVIET AND WEIMAR CINEMA by Mark Ryall It … READ MORE →17 MIN READTHE WORLDS OF WES ANDERSON: THE ROYAL TENENBAUMS AND THE LIFE AQUATIC WITH STEVE ZISSOUFebruary 20, 2016-Posted by Mark Ryall “OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the … READ MORE →22 MIN READTHE PROBLEM WITH 3D CINEMAJuly 6, 2017-Posted by Mark Ryall 2D OR NOT 2D?THAT IS THE QUESTION Not now James, we’re busy The format halves the cinema’s capacity for exhibition of … READ MORE →6 MIN READ