“SO WE BOTH HAVE DEAD PEOPLE IN OUR FAMILIES“: DEAD PARENTS AND PROCESSING GRIEF When we are presented with any form …
IRISH ASSIMILATION AND THE QUIET INFLUENCE OF MICHALEEN OGE FLYNN On the surface, it would appear that Barry Fitzgerald’s portrayal of …
“OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the …
