← PREVIOUS POSTEARLY SOVIET AND WEIMAR CINEMA RELATED POSTS THE WORLDS OF WES ANDERSON: MOONRISE KINGDOM AND THE GRAND BUDAPEST HOTELFebruary 20, 2016-Posted by Mark Ryall “I ALWAYS WISHED I WAS AN ORPHAN. I THINK YOUR LIVES ARE MORE SPECIAL“: TRAUMA, TIME AND TONE The devoted follower … READ MORE →17 MIN READNEOREALISM, ITALIAN STYLENovember 20, 2017-Posted by Mark Ryall WHATEVER HAPPENED TO MY NARRATIVE RESOLUTION?MICHELANGELO ANTONIONI, L’AVVENTURA, AND THE LEGACY OF ITALIAN NEOREALISM by Mark Ryall When Terence Malick’s The … READ MORE →19 MIN READTHE WORLDS OF WES ANDERSON: THE ROYAL TENENBAUMS AND THE LIFE AQUATIC WITH STEVE ZISSOUFebruary 20, 2016-Posted by Mark Ryall “OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the … READ MORE →22 MIN READ