“OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the …
PAINTING WITH LIGHT THE UNEASY ALLIANCE OF ART, POLITICS AND ECONOMICS IN EARLY SOVIET AND WEIMAR CINEMA by Mark Ryall It …
IRISH ASSIMILATION AND THE QUIET INFLUENCE OF MICHALEEN OGE FLYNN On the surface, it would appear that Barry Fitzgerald’s portrayal of …
