← PREVIOUS POSTCreed06254.dng Leave a Comment Your feedback is valuable for us. Your email will not be published. Click here to cancel reply Save my name, email, and website in this browser for the next time I comment. Notify me of new posts by email.Please wait... Submit Comment Δ RELATED POSTS EARLY SOVIET AND WEIMAR CINEMASeptember 25, 2017-Posted by Mark Ryall PAINTING WITH LIGHT THE UNEASY ALLIANCE OF ART, POLITICS AND ECONOMICS IN EARLY SOVIET AND WEIMAR CINEMA by Mark Ryall It … READ MORE →17 MIN READLA NOUVELLE VAGUEJuly 24, 2013-Posted by Mark Ryall “EVERYONE’S A CRITIC”: THE FRENCH NEW WAVE AND THE LEGACY OF THE AUTEUR THEORY Mention of the Nouvelle Vague to the … READ MORE →15 MIN READTHE WORLDS OF WES ANDERSON: THE ROYAL TENENBAUMS AND THE LIFE AQUATIC WITH STEVE ZISSOUFebruary 20, 2016-Posted by Mark Ryall “OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the … READ MORE →22 MIN READ