← PREVIOUS POSTBridge of Spies Review Review Screentime Approved Leave a Comment Your feedback is valuable for us. Your email will not be published. Click here to cancel reply Save my name, email, and website in this browser for the next time I comment. Notify me of new posts by email.Please wait... Submit Comment Δ RELATED POSTS THE HETEROGENEITY OF ART CINEMAJune 20, 2013-Posted by Mark Ryall “WHEN IN DOUBT, GO FOR MAXIMUM AMBIGUITY”: DAVID BORDWELL AND ART CINEMA When Geoffrey Nowell-Smith (1996) said that “the heterogeneity of … READ MORE →7 MIN READHITCHCOCK AND THE MACGUFFINMarch 28, 2014-Posted by Mark Ryall WHAT’S A MAGUFFIN AND WHY SHOULD WE CARE? A key reason for the enduring appeal of the work of Alfred Hitchcock … READ MORE →11 MIN READHITCHCOCK AND THE UNCONSCIOUS SELFMay 30, 2013-Posted by Mark Ryall The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his … READ MORE →11 MIN READ