← PREVIOUS POSTAnna Karina Leave a Comment Your feedback is valuable for us. Your email will not be published. Click here to cancel reply Save my name, email, and website in this browser for the next time I comment. Notify me of new posts by email.Please wait... Submit Comment Δ RELATED POSTS THE WORLDS OF WES ANDERSON: CONCLUSIONFebruary 20, 2016-Posted by Mark Ryall The fundamental basis of negative criticism directed at Wes Anderson can be summed up in the maxim, “familiarity breeds contempt.” Or … READ MORE →6 MIN READTHE HETEROGENEITY OF ART CINEMAJune 20, 2013-Posted by Mark Ryall “WHEN IN DOUBT, GO FOR MAXIMUM AMBIGUITY”: DAVID BORDWELL AND ART CINEMA When Geoffrey Nowell-Smith (1996) said that “the heterogeneity of … READ MORE →7 MIN READEARLY SOVIET AND WEIMAR CINEMASeptember 25, 2017-Posted by Mark Ryall PAINTING WITH LIGHT THE UNEASY ALLIANCE OF ART, POLITICS AND ECONOMICS IN EARLY SOVIET AND WEIMAR CINEMA by Mark Ryall It … READ MORE →17 MIN READ