PAINTING WITH LIGHTTHE UNEASY ALLIANCE OF ART, POLITICS AND ECONOMICS IN EARLY SOVIET AND WEIMAR CINEMAby Mark Ryall It was the …
IN FOCUS
HATERS GONNA HATEIN DEFENCE OF INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL Crystal Skull is Spielberg’s unloved, deformed child …
2D OR NOT 2D?THAT IS THE QUESTION Not now James, we’re busy The format halves the cinema’s capacity for exhibition of …
TRAUMA, REPETITION AND BLANK CHARACTERISATION IN WES WORLD Throughout a career spanning almost two decades, Wes Anderson has cultivated a reputation …
“SO WE BOTH HAVE DEAD PEOPLE IN OUR FAMILIES“: DEAD PARENTS AND PROCESSING GRIEF When we are presented with any form …
“OF COURSE IT’S DARK, IT’S A SUICIDE NOTE“: PATHOS, PATERNAL NEGLECT AND PERFORMANCES OF MASCULINITY As Wes Anderson moves into the …
“I ALWAYS WISHED I WAS AN ORPHAN. I THINK YOUR LIVES ARE MORE SPECIAL“: TRAUMA, TIME AND TONE The devoted follower …
The fundamental basis of negative criticism directed at Wes Anderson can be summed up in the maxim, “familiarity breeds contempt.” Or …
Q. HEY JOHNNY, WHAT’RE YOU REBELLING AGAINST? A. DUNNO REALLY. CONSUMERISM? BIG BUSINESS? OH, AND DADDY NEVER LOVED ME From the …
HIDING IN PLAIN SIGHT: SCORSESE, THE DEPARTED AND THE ASSIMILATED IRISH-AMERICAN IDENTITY The heterogeneous microclimate of Boston has allowed the ethnic …
WHAT’S A MAGUFFIN AND WHY SHOULD WE CARE? A key reason for the enduring appeal of the work of Alfred Hitchcock …
“EVERYONE’S A CRITIC”: THE FRENCH NEW WAVE AND THE LEGACY OF THE AUTEUR THEORY Mention of the Nouvelle Vague to the …
“WHEN IN DOUBT, GO FOR MAXIMUM AMBIGUITY”: DAVID BORDWELL AND ART CINEMA When Geoffrey Nowell-Smith (1996) said that “the heterogeneity of …
The Lady Vanishes (1938) and Rebecca (1940) represent opposite sides of the Atlantic divide between Alfred Hitchcock’s move away from his …
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